A Musician on Mars

December 11, 2013 — 1 Comment


Welcome to Mars. As one of the first colonists on the fourth planet from the Sun, you endeavor to make it your new home. On Earth, you filled your time in numerous ways, but your real passion was music. Luckily, the Indian Space Research Organisation (ISRO) allowed you to bring your prized possession: a Steinway grand piano. Excited to play for the first time in months, you squeeze into your ISRO-issued space suit and wheel the piano onto the Martian surface. It’s noon near the equator. The temperature is around 25ºC (77ºF). You stretch out your arms, relax, and strike your first key. The sound is… quiet and out of tune. Assuming the piano needs to be retuned, you wheel it back into your pressurized vessel, take off your suit, and tune it yourself. Satisfied, you wheel the piano onto the surface again. The Martian surface is quiet, and you notice the colors of the sky are a lot redder than you had seen in NASA photographs. Again, you begin to play. It again sounds too quiet.

What is happening here? Why might a piano sound different when played on the Martian surface? This is a fairly involved question. Luckily, we are considering an instrument with taut strings rather than something that depends more upon atmospheric conditions than, say, a trombone or pipe organ. Furthermore, the equatorial temperature is Earth-like. Why, then, might a piano sound different on Mars?

When tuning and subsequently playing a piano, the frequency you perceive (or pitch) depends upon the tension, length, and mass of the strings within the piano. Since the temperature is about the same as before, and since you did not physically exchange the strings, these properties remain fairly constant. However, the fluid on the strings does play a role. Like any oscillator, the fluid in which it is immersed provides a load which will subsequently alter the frequency at which the oscillator resonates and by how much. On Mars, the atmosphere is more rarified, with a mean pressure of 600 Pa at the surface. Compare this with a pressure of over 100,000 Pa at sea level on Earth. This reduced loading by air results in a bias to slightly higher frequencies (or a higher pitch). If you retuned the piano in a pressurized cabin and then played the newly tuned piano on the Martian surface once again, it would still sound out of tune. A simple solution is to retune the piano while on the surface.

However, this is not the only problem with playing music on the Martian surface. Remember that Mars has a lower-pressure atmosphere. Sound, as you may recall, propagates as an oscillation of pressure in some medium (like air). If the mean pressure is lower, this presumably changes the ability of sound to propagate over longer distances. Without going into too many details here, what happens is that sound will not propagate very far on Mars, and there is an effect such that high frequencies are heavily attenuated. Before, the pitch was shifted slightly higher. Here, on the other hand, higher frequencies will sound softer than lower frequencies, and all frequencies will sound quieter. This means that not only does the piano sound out of tune, but it also sounds muted. The question of sound propagation is so interesting that an acoustics researcher simulated sound on Earth, Mars, and Titan. She found that a scream which may travel over one kilometer on Earth would only carry 14 meters on Mars!

Your out-of-tune, muted piano, probably wouldn’t be audible to a nearby audience on the Martian surface.


One response to A Musician on Mars

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